Lessons in Editing from Martin Scorsese

Martin Scorsese is nothing short of a cinematic legend. A true auteur director, his films possess a definitive “Scorsese” stamp that reflects the relationships he has cultivated with his cast and crew. Thelma Schoonmaker has worked as editor on every Scorsese film since Raging Bull. She has won three Academy Awards over the years and says that Scorsese “makes his movies in his editing.” Working very closely together, they have developed a synergy that translates to electrifying and unforgettable screen moments. Let’s see what we can learn from this dynamic duo.

The Power of Teamwork

Schoonmaker doesn’t always visit the set or read the script prior to beginning the editing process. She believes this distance gives her a more objective view of the film when it lands on her editing table. “She’ll respond to what works and what doesn’t, which keeps me balanced,” says Scorsese. Schoonmaker asserts that a great movie director must understand editing. For Scorsese, editing is the most exciting, imaginative and experimental part of the filmic process. While his input and vision drive the development, Schoonmaker always has the final say. Of their 40+ years of collaboration, she gushes, “We are so lucky. I can’t even describe what working with him is like. I have the best job in the world.”

The Power of Teamwork

Schoonmaker doesn’t always visit the set or read the script prior to beginning the editing process. She believes this distance gives her a more objective view of the film when it lands on her editing table. “She’ll respond to what works and what doesn’t, which keeps me balanced,” says Scorsese. Schoonmaker asserts that a great movie director must understand editing. For Scorsese, editing is the most exciting, imaginative and experimental part of the filmic process. While his input and vision drive the development, Schoonmaker always has the final say. Of their 40+ years of collaboration, she gushes, “We are so lucky. I can’t even describe what working with him is like. I have the best job in the world.”

Creating an Emotional Response

Scorsese understands the power of manipulation. While most filmmakers strive to achieve fluid editing, where the cuts go unnoticed to the viewer, Scorsese believes this limits the possibilities of cinematic language – The temporality of film is an asset that can be used to touch on the sensitivities of the audience. Whether it’s the use of jarring freeze-frames throughout Goodfellas, or creating haunting moments with flashbulbs in The Aviator, every choice is deliberate and enhanced by thoughtful editing.